Classes, reading groups, mentorships and salons 


‘Critical reading, critical writing’: Autumn 2019

‘CRITICAL READING, CRITICAL WRITING’ is a six-month course for both writers and readers. It is for everyone who wants to develop a deeper understanding of novels and how they work. It looks into the techniques of novel writing, the tricks of the author’s trade, and the decisions and craft that go into making a fantastic book.

We’ll be looking at six classic novels from an editorial perspective. We’ll talk about the choices writers have made in putting them together, look at structure, world-building, imagery – as well as all those other bits of glue that hold a book together. We’ll sometimes talk about the stories behind the books and the act of creation. Sometimes, too, we’ll just sit back and marvel at the talent of the people we’re discussing. You can learn a lot from James Baldwin, for instance. And Angela Carter. And if you're as touched by genius as they are – well, we’ll be very glad to have you in our class.

Importantly, we’ll always surprise each other. These are novels, after all, and a big part of the fun will investigating be our own reactions to them and how we approach these marvellous creations as readers.

‘Critical reading, critical writing’ is a course that will teach you a lot about technique and craft and the hard work that goes into books. It’s also one where we'll be able to have wider discussions about ideas, meaning, artistry and all the things that make great writing so special.

Further information 

The ‘Critical reading, critical writing’ course is a London-based class taught by Galley Beggar co-director and Guardian journalist Sam Jordison. Places will be limited to 20 people per class, and the course will run for a six-month period, with six classes to a course (running for two hours per session). For the autumn course (beginning November 2019), the selected titles are:

  • Monday 11 November 2019 (18:30–20:30) – Ernest Hemingway, In Our Time

  • Monday 9 December 2019 (18:30–20:30) – Rebecca West, The Return of the Soldier

  • Monday 13 January 2020 (18:30–20:30) – Angela Carter, Wise Children

  • Monday 10 February 2020 (18:30–20:30) – James Baldwin, Giovanni’s Room

  • Monday 16 March 2020 (18:30–20:30) – Terry Pratchett, Night Watch

  • Monday 13 April 2020 (18:30–20:30) – Preti Taneja, We that are young.

Fees, places, and location. The course cost is £160, spaces are limited to 20 people (please see below for low-earner details), and the class will be held in the beautiful Art Workers Guild (in the heart of Bloomsbury). Upon booking, each participant will be posted a copy of Preti Taneja’s We that are young.

To read more and book a place on the course, click on the link below:

*Low-earner spaces. One place per course will be made freely available to a writer on a low-income. We do not ask for proof of income or any other information (we want to respect your right to privacy), and in the first instance you should simply email, with ‘Critical reading’ in the subject line. Do be advised that these sessions, again, will be offered on a first come, first serve basis, and are likely to fill up swiftly.